GREAT MUSIC AT ST. BART’S 2018-19 SEASON: 10 EVENTS

  • Choral “Storytime” with Choral Chameleon
  • Deviant Septet Performs Stravinsky’s L’Histoire du Soldat and Sleeping Giant’s Histories
  • Marilyn Nonken Performs “American Voices of the Early 20th Century”
  • Empire City Men’s Chorus – “Resplendent: A Silver Anniversary Concert”
  • A Sailor-Made Man – Harold Lloyd Film with Live Organ Accompaniment by Jason Roberts
  • Annual Holiday Events in Church and Chapel Including “A Joyous Christmas Concert,” “Adoration of the Magi,” and “A Concert to Usher in the New Year”

St. Bartholomew’s Church, the historic Episcopal parish on Park Avenue in New York City, this fall celebrates the 100th anniversary of the first service in its current location. The magnificent 1918 Romanesque-style church features a portal designed by Stanford White and a grand Byzantine-style interior – and two of New York’s unlikely but outstanding concert spaces: the 150-seat chapel, an intimate and acoustically brilliant space that is perfectly suited for contemporary chamber music, and the majestic 1,000-seat sanctuary, whose Aeolian-Skinner pipe organ is the largest in New York City and one of the finest examples of the American Classic Organ in the U.S.

Great Music at St. Bart’s, the concert series produced by the Mid-Manhattan Performing Arts Foundation (MMPAF) marking its eighth season, is the most recent installment in the church’s rich musical history (see below). The 10 events of the 2018-19 season of Great Music at St. Bart’s continue the programmatic focus of embracing a wide range of music in programs that shine in St. Bart’s spaces.

Events in St. Bart’s Chapel launch with the season-opening event, “Storytime,” a program featuring the ensemble Choral Chameleon journeying through five centuries of choral storytelling from Josquin to The Beatles and a world premiere by Dale Trumbore. The new music group Deviant Septet combines Stravinsky’s L’Histoire du Soldat with Histories, a collaborative work intended as a companion piece to L’Histoire, composed by the six-composer consortium Sleeping Giant. The Apple Hill String Quartet returns to the St. Bart’s Chapel with a program of quartets by Schubert, Caroline Shaw, and Michael Kropf. Pianist Marilyn Nonken pays tribute to Scott Joplin, the master of ragtime, and the modernist Charles Ives with a program featuring Joplin’s Bethena (1904) and Ives’s Concord Sonata. And baritone Jeff Morrissey offers his annual holiday presentation of “Adoration of the Magi.”

The season’s events in the main sanctuary of St. Bart’s include “Et in Terra Pax: A Concert for Hope,” featuring performances of Haydn’s Missa in Angustiis (Mass for Troubled Times), Ola Gjeilo’s Song of the Universal, Arvo Pärt’s Cantus in Memoriam Benjamin Britten and John Tavener’s The Lamb by Seton Hall University Chorus and Mid-Atlantic Symphony Chamber Orchestra, Jason C. Tramm, conductor. The fourth annual silent film screening to live organ accompaniment by St. Bart’s Associate Director of Music and Organist Jason Roberts features Harold Lloyd’s A Sailor-Made Man. The Empire City Men’s Chorus kicks off World Pride 2019 with a Silver Anniversary celebration concert of men’s choral works ranging from Orlando di Lasso to George Gershwin, Ysaye Barnwell, and Elizabeth Alexander. And the church is the setting for such beloved holiday events as the annual “Joyous Christmas Concert” and “A Concert to Usher in the New Year.” (The full season schedule follows below.)

All regular tickets to Great Music at St. Bart’s are priced between $15 and $40, with discounted tickets for students and seniors available for all events. Admission to the “A Concert to Usher In the New Year” is free.

Rounding out the St. Bart’s musical offerings is a free component: the ongoing Midtown Concerts, a series of free weekly early music programs that run from September through June.

Great Music at St. Bart’s is produced by the Mid-Manhattan Performing Arts Foundation, an independent 501(c)(3) corporation established to cultivate, promote, sponsor and develop the understanding and love of the performing arts as presented at St. Bartholomew’s Church. The corporation sponsors performances of music, dance, drama, and other performing arts as well as the exhibition of works in the film and fine arts genres. http://mmpaf.org

St. Bartholomew’s Church was founded in January 1835. Its present building, a Byzantine style structure with an iconic dome, designed by Bertram Goodhue and completed in 1918, has had a vital presence in New York for a century. St. Bartholomew’s also became a force in the musical life of the city and the wider church: Legendary musicians such as Leopold Stokowski, who went on to a career as one of the world’s great conductors, Harold Friedell, and James Litton have served the church as Organist and Choirmaster. For many decades, a world famous weekly series of Evensongs featuring performances of the great oratorios by St. Bartholomew’s Choir was offered free of charge, stressing the parish’s commitment to inclusion by ministering to a wide community. Great Music at St. Bart’s, an outgrowth of these Evensongs, still offers the greater New York City community top shelf concert performances at very reasonable ticket prices.

For more information on the centenary, visit http://stbarts.org/stbarts100/.


GREAT MUSIC AT ST. BART’S 2018-19 SEASON

Tuesday, October 9, 2018, at 7:30 pm in the Chapel
“STORYTIME” WITH CHORAL CHAMELEON
Vince Peterson, Artistic Director
The award-winning vocal ensemble Choral Chameleon, a choir known for championing new music for voices, presents a journey through the magic of choral storytelling. Combining powerful commentary in the style of the Greek chorus with the empathy of human singing, this unique program presents life stories both sacred and secular, interpreted by composers from across five centuries, including including Mateo Fletxa el Viejo, Josquin des Prez, The Beatles, and others, featuring a world premiere by the ensemble’s 2018–19 Composer-In-Residence Dale Trumbore, and a concert opener by Artistic Director Vince Peterson. Choral Chameleon was the 2017–18 Group in Residence at National Sawdust in Brooklyn.
Tickets: $25, $15 for students and seniors


Sunday, October 28, 2018, at 7:00 pm in the Church
ET IN TERRA PAX: A CONCERT FOR HOPE
Mid-Atlantic Symphony Chamber Orchestra Seton Hall University Chorus
Jason C. Tramm, Conductor
Ashley Bell, Soprano
Augusta Caso, Mezzo-Soprano
Victor Starsky,Tenor
Jeremy Galyon, Bass
Haydn’s Missa in Angustiis (Mass for Troubled Times), sometimes called Lord Nelson Mass, was written in 1798, a time of great instability and turbulence in Europe. Beginning with a gripping and intense Kyrie, the work ends with a life-affirming Dona Nobis Pacem. Ola Gjeilo’s Song of the Universal is a setting of verses from Whitman’s great work. According to the composer, “I love the unabashed optimism, exuberance and his unwavering confidence in our deeper humanity.” Arvo Pärt’s Cantus in Memoriam Benjamin Britten and John Tavener’s The Lamb complete this evening of powerful music. The concert will be conducted by Jason C. Tramm, hailed as a “conductor to watch” by Symphony magazine.
Tickets: $35, $25; students and seniors receive a $10 discount


Friday, November 2, 2018, at 7:00 pm in the Church
JASON ROBERTS ACCOMPANIES HAROLD LLOYD’S A SAILOR-MADE MAN
Jason Roberts, Organ
Harold Lloyd, along with Buster Keaton and Charlie Chaplin, was one of the most popular and influential comedians of the silent film era, and A Sailor-Made Man was his first full-length motion picture. Lloyd plays a wealthy, idle young man who joins the Navy to win the hand of the girl he loves. Lloyd himself was a champion of the organ, and would not allow his films to be accompanied by pianists. Jason Roberts will offer a live, improvised accompaniment to this film on St. Bart’s magnificent Aeolian-Skinner pipe organ.
Tickets: $20, $10 for students and seniors


Tuesday, December 11, 2018, at 7:30 pm in the Church
A JOYOUS CHRISTMAS CONCERT
St. Bartholomew’s Choir, Boy and Girl Choristers, Chamber Orchestra
A beloved New York holiday tradition, this concert combines the choral forces of St. Bart’s, New York City’s largest pipe organ, and a chamber orchestra for a concert of Christmas favorites. The Christmas portion of Handel’s Messiah, Holst’s Christmas Day, and carol settings of Lauridsen, Chilcott, Willcocks and others are performed in the candlelit splendor of St. Bartholomew’s Church.
Tickets: $100 Angel Club Seating, $40, $25; students and seniors receive a $10 discount


Friday, December 14, 2018, at 7:30 pm in the Chapel
ADORATION OF THE MAGI
Jeff Morrissey, baritone
Singer Jeff Morrissey presents his popular Christmas program inspired by the elegant paintings found in the South Chapel of St. Bartholomew’s. In 1919 Ethel Parsons Paullin and her husband Telford created the beautiful Adoration of the Magi and the 13 medallions surrounding it depicting subjects connected with the Nativity of Christ. This program brings the artwork to life, weaving passages from the Bible with Polish carols and ballads from the Southern Appalachian Mountains as well as works by Nin, Ramirez, Grainger, and Michael Head to present a visual and musical telling of the Christmas story.
Tickets: $25 general admission, $15 for students and seniors


Monday, December 31, 2018, at 11:00 pm in the Church
A CONCERT TO USHER IN THE NEW YEAR
Hear one of New York’s greatest musical treasures, St. Bartholomew’s grand Aeolian-Skinner pipe organ with 168 stops and over 12,000 pipes, including its recently restored Celestial division in St. Bart’s celebrated dome. Festive organ works will be performed to magnify the evening’s celebration. A free champagne reception will follow the concert.
Admission is free


Thursday, February 28, 2019, at 7:30 pm in the Chapel
DEVIANT SEPTET – L’HISTOIRE DU SOLDAT AND HISTORIES
Bill Kalinkos, Clarinet
Mike Gurfield, Trumpet
Karen Kim, Violin
Brad Balliett, Bassoon
Doug Balliett, Double Bass
Mike Lormand, Trombone
Jared Soldiviero, Percussion
Acclaimed as “exciting” (The New York Times), and “exceedingly fun” (Time Out New York), the ensemble Deviant Septet will perform Igor Stravinsky’s L’Histoire du Soldat (The Soldier’s Tale), a Faustian legend for seven instruments and a signature work for this ensemble. The evening will also feature Histories, a collaborative work intended as a companion piece to L’Histoire, composed by Sleeping Giant, a consortium of six composers, praised by WQXR for “rapidly gaining notice for their daring innovations and acute attention to instrumental nuance.”
Tickets: $25, $15 for students and seniors


Sunday, March 31, 2019, at 2:30 pm in the Chapel
APPLE HILL STRING QUARTET
Elise Kruder, Colleen Jennings, Violin;
Mike Kelley, Viola;
Rupert Thompson, Cello
Since its founding in 2007, the Apple Hill String Quartet has earned praise around the world for its concerts presenting interpretive mastery of traditional repertoire and new and commissioned works. Apple Hill’s innovative outreach program Playing for Peace focuses on social change and conflict resolution through music in areas where there is conflict, particularly the Middle East. This concert will include Franz Schubert’s Quartet in A Minor (“The Rosamunde”) as well as quartets by Pulitzer Prize- winner Caroline Shaw and Michael Kropf.
Tickets: $25, $15 for students and seniors


Sunday, May 5, 2019, at 2:30 pm in the Chapel
MARILYN NONKEN, PIANO – “AMERICAN VOICES OF THE EARLY 20TH CENTURY”
After bringing Morton Feldman’s Patterns in a Chromatic Field to the St. Bart’s Chapel in spring 2018, pianist Marilyn Nonken returns with a program that pays tribute to Scott Joplin, the master of ragtime, and the modernist Charles Ives. Joplin’s Bethena (1904) livens the classical waltz with the spirit of ragtime, paying poignant tribute to the composer’s wife, Freddie, who died just ten weeks after their wedding. Ives’s Concord Sonata (1911) weaves together popular music from the Civil War, along with quotes from Beethoven, Wagner, and Debussy. “There is genuine majesty in the Concord Sonata, and nobody else, in my experience, has brought it out so convincingly as Nonken.” (Washington Post) Marilyn Nonken, “one of the greatest interpreters of new music” (American Record Guide) has been acclaimed for performances of the complete piano music of Schoenberg, Boulez, and Murail, as well as works by composers associated with ultramodernism, the New York School, the New Complexity, and spectral music.
Tickets: $25, $15 for students and seniors


Saturday, June 1, 2019, at 5:00 pm in the Church
EMPIRE CITY MEN’S CHORUS – “RESPLENDENT: A SILVER ANNIVERSARY CONCERT”
The Empire City Men’s Chorus
Vince Peterson, Conductor
Empire City Men’s Chorus (ECMC) kicks off the summer and World Pride 2019 in New York City with a program celebrating excellence in men’s choral music. This Gala Concert will feature men’s choral works by such esteemed composers as David Conte, Gwyneth Walker, George Gershwin, Orlando di Lasso, Ysaye Barnwell, and Elizabeth Alexander. The chorus will also present two world premieres, underscoring its mission to foster and cultivate artistic contributions to men’s choral music repertoire. The concert will be followed by a Gala Reception and Gala Dinner. For tickets to ECMC’s Gala events, visit www.ecmc.nyc.
Tickets: $30, $20 for students and seniors


Tickets are available through the Box Office at St. Bartholomew’s Church, 325 Park Avenue, New York, NY, and are available by phone, 212-378-0248, and online at www.mmpaf.org.

Great Music at St. Bart’s Presents Two February Events Showcasing the St. Bart’s Organ, the Largest Pipe Organ in New York City

• JOHN ZORN: CANDLEMAS EVE AND THE HERMETIC ORGAN, FEBRUARY 1, 2017

• JASON ROBERTS: LIVE IMPROVISED ORGAN ACCOMPANIMENT TO BUSTER KEATON’S THE GENERAL, FEBRUARY 17, 2017

To jolt New Yorkers out of their winter doldrums, the Great Music at St. Bart’s concert series presents two events in February showcasing the famed St. Bart’s pipe organ, the largest in New York City, that will literally shake the rafters. On February 1, in St. Bartholomew’s magnificent Romanesque-style church, iconic New York composer John Zorn performs The Hermetic Organ Office Nr. 15 (2017), a new chapter in his epic organ improvisation, praised by Lou Reed as one of “culmination and conquest,” and his new work Candlemas Eve. And on February 17, St. Bart’s presents the third annual screening of a silent film classic to live organ accompaniment by St. Bart’s Associate Organist Jason Roberts – this year, The General, the comedy masterpiece by Buster Keaton.

WATCH: A video about the St. Bart’s organ on Vimeo.

Tickets may be purchased online at this website, by phone by calling 212-378-0248, or in person at St. Bart’s in Midtown Manhattan, 325 Park Avenue at 51st Street.

The 2016-17 season of Great Music at St. Bart’s continues the new programmatic focus initiated last year by MMPAF Artistic Director William K. Trafka (Director of Music and Organist of St. Bart’s): to embrace a wider range of music in programs that shine in St. Bart’s spaces. The spring 2017 season also features programs of chamber music in the Chapel that showcase modern and new repertoire, performed by acclaimed ensembles ECCO East Coast Chamber Orchestra (A Thousand Cranes by Christopher Theofanidis, NY premiere), and Apple Hill String Quartet (Presences by John Harbison, world premiere). Among the programs presented in the magnificent sanctuary are two vastly different interpretations of the St. John Passion: Bach’s, performed by The English Concert Players and the Choir of New College, Oxford, conducted by Robert Quinney, and Arvo Pärt’s, performed by Trafka leading the St. Bartholomew’s Choir; and Orff’s Carmina Burana performed by the Dalton Chorale.


Wednesday, February 1, 2017, at 8:30 pm in the Church
JOHN ZORN: CANDLEMAS EVE AND THE HERMETIC ORGAN

Barry Crawford, flute
Isabel Gleicher, flute
Al Lipowski, vibraharp
Sae Hashimoto, vibraharp assistant
John Zorn, organ

Modern music icon John Zorn returns to St. Bart’s with a performance of The Hermetic Organ Office Nr. 15 (2017), a new chapter in his epic organ improvisation, praised by Lou Reed as one of “culmination and conquest.” His 2016 work Candlemas Eve for two flutes and vibraharp will be offered on the eve of the church’s feast day of Candlemas.

John Zorn performed The Hermetic Organ Office Nr. 14 last year at St. Bart’s and has released a recording of that performance on his Tzadik website, www.tzadik.com (Cat. #8340): “Recorded at midnight on the eve of Halloween on the largest organ in New York City, Zorn approaches this performance as ritual, creating a mysterious mood of contrasts, colors, bells, drones, counterpoint and simultaneity.”

“The one word virtually everyone can agree on in any discussion of the work of composer John Zorn is ‘prolific,’ in the strictest sense of the definition,” says Thom Jurek in allmusic.com. “Though he didn’t begin making records until 1980, the recordings under his own name number well over 100, and the sheer number of works he has performed on, composed, or produced easily doubles that number. Though now an internationally renowned musician and the founder and owner of the wildly successful and equally prolific Tzadik imprint, Zorn is a cornerstone of New York’s fabled and influential downtown scene. In addition, he has played with musicians of every stripe. He is … a quintessential mirror of 21st century culture.”

WATCH: John Zorn’s talks about his approach to The Hermetic Organ on YouTube
Tickets: $25, $15 for Students and Seniors


Friday, February 17, 2017, at 7:30 pm in the Church
JASON ROBERTS ACCOMPANIES THE GENERAL

Jason Roberts, organ

St. Bart’s Associate Director of Music and Organist Jason Roberts improvises organ accompaniment to The General, the great 1927 action-packed comedy adventure from Buster Keaton inspired by the Great Locomotive Chase of 1862.

As Gary Giddins wrote in Slate.com, “The General belongs to at least three movie genres: comedy, historical, and chase. Most of it is constructed around a pursuit as relentless as any Bourne blowout, involving a Confederate locomotive, called the General, hijacked by Union spies. … Keaton’s authenticity and comedic understatement make The General a surprisingly modern experience. The storytelling and the gags are free of sentimentality and knockabout clichés. The four-minute battle scene is simply one of the most gripping, and occasionally hilarious, ever filmed.”

Over the past two years, Jason Roberts has improvised the organ accompaniment to St. Bart’s screenings of The Wind starring Lillian Gish and the Buster Keaton classic Steamboat Bill, Jr. St. Bart’s Associate Director of Music, Organist, and the Director of the Boy and Girl Choristers since 2014, Jason is a sought-after recitalist in the U.S. and an avid improviser. He won first prize at the AGO National Competition in Organ Improvisation in 2008 and was a finalist at the St. Alban’s International Organ Competition in 2011 (Improvisation). He holds degrees from Rice University, Yale University and the Manhattan School of Music.

READ: Critic Roger Ebert’s review of “Great Movie” The General
Tickets: $20, $10 for Students and Seniors


Tickets may be purchased online at this website, by phone by calling 212-378-0248, or in person at St. Bart’s in Midtown Manhattan, 325 Park Avenue at 51st Street.

Great Music at St. Bart’s, the concert series produced by the Mid-Manhattan Performing Arts Foundation, for the past six years has presented music in St. Bartholomew’s Church, a parish of the Episcopal Diocese of New York located in the heart of midtown Manhattan. The magnificent 1918 Romanesque-style church features a portal designed by Stanford White and a grand Byzantine-style interior – and two of New York’s unlikely but outstanding concert spaces: the 150-seat chapel, an intimate and acoustically brilliant space that is perfectly suited for contemporary chamber music, and the majestic 1,000-seat sanctuary – outfitted with comfortable chairs enabling flexible seating – whose Aeolian-Skinner pipe organ is the largest in New York City and one of the finest examples of the American Classic Organ in the U.S.

Great Music at St. Bart’s: Fall 2015 Events

“THE ARGENTINIAN-ITALIAN BACH,” DOMENICO ZIPOLI – October 15
JOHN ZORN: THE HERMETIC ORGAN – October 30
JASON ROBERTS, ORGANIST, ACCOMPANIES THE WIND – November 20

The firMMPAF_press_release_iconst three events of the 2015-16 season of Great Music at St. Bart’s, the concert series at St. Bartholomew’s Church produced by the Mid-Manhattan Performing Arts Foundation (MMPAF), include a program focusing on the music of the “Argentinian-Italian Bach,” Domenico Zipoli, and J.S. Bach himself; and two events showcasing the magnificent St. Bart’s organ, the largest pipe organ in New York City: a performance by John Zorn of his own epic work The Hermetic Organ; and a silent film classic starring Lillian Gish, The Wind, screened to the accompaniment of live organ improvisation.

Tickets may be purchased online at www.mmpaf.org, by phone by calling 212-378-0248, or in person at St. Bart’s in Midtown Manhattan, 325 Park Avenue at 51st Street.

Thursday, October15, 2015, at 7:30 pm, in the Church
“THE ARGENTINIAN-ITALIAN BACH,” DOMENICO ZIPOLI

Part of the New York Early Music 2015 Celebration “El Nuevo Mundo”
Julianne Baird and Sarah Moulton Faux, sopranos
Nicholas Tamagna, countertenor
Pablo Bustos, tenor
John-Arthur Miller, baritone
Crescendo Chorus & Youth Singers
Crescendo Period & Andean Instrument Orchestra
Directed by Christine Gevert

Famed early music artist Julianne Baird and rising young singers Sarah Moulton Faux, soprano; Nicholas Tamagna, countertenor; Pablo Bustos, tenor; and John-Arthur Miller, baritone, join Crescendo, the New England-based vocal and instrumental ensemble directed by Christine Gevert, for a program featuring the music of Baroque composer Domenico Zipoli (the Italian-born Jesuit musician and missionary who lived and worked in Paraguay and Argentina) alongside two cantatas of J.S. Bach. “Zipoli’s music is comparable in style and quality to his contemporary Antonio Vivaldi – full of contrasting and dramatic elements,” says Gevert. “In our performance we will combine European Baroque instruments with native Andean ones, such as quenas [flutes] and charango [lute], to create the unique sound of the Latin American Baroque,” as well as combining adult and youth voices in the chorus.

“All pieces, except the Tantum Ergo, were written for soprano, alto, and tenor voices only, as there practically weren’t any low voices among the indigenous people in Latin America (and still today we have many more tenors than basses among Latin American singers),” says Gevert. “My arrangement carefully includes the choral bass voice into the choral texture – sometimes in a quite high range for their voices, to preserve the character of Zipoli’s writing and the sound quality of what must have been heard back then in the missions.”

Domenico Zipoli was a successful organist and composer in Rome before his departure to Argentina in 1717. Zipoli became the most famous Baroque composer in South America – his works were performed all over the continent and his reputation spread from there to Europe. The music he wrote in South America was lost for more than 200 years, surfacing in the late 1970s – this program presents some of these works, including parts of Misa San Ignacio and Vespers San Ignacio. The program also features two sacred cantatas by Johann Sebastian Bach. His choral cantata Nach Dir, Herr, verlanget mich (For Thee, O Lord, I long), BWV 150, is an early one, and the abundance of short contrasting choral movements makes it similar to Zipoli’s works. The soprano solo cantata Alles mit Gott und nichts ohn’ ihn (Everything with God and nothing without him), BWV 1127, was lost for almost 300 years, only re-discovered in 2005.

Crescendo received the Alfred Nash Patterson Award given by Choral Arts New England for this program, presented in New England in November of 2014. Crescendo’s repertoire focuses mainly on music from the Renaissance and Baroque periods, but encompasses all musical eras. Chorus America’s 2014 Alice Parker/ASCAP award winner for innovative programming, Crescendo is led by Artistic Director and conductor Christine Gevert, whose exploration of her Latin American heritage has led to concerts of rarely heard Colonial Latin American music, as well as contemporary works by Latin American composers.

http://worldclassmusic.org/crescendo/

WATCH: Crescendo performs the Credo from Zipoli’s Misa San Ignacio on YouTube.

D. ZIPOLI
Misa San Ignacio (excerpts)
Vespers San Ignacio (excerpts)
Tantum Ergo

J.S. BACH
Nacht Dir, Herr, verlanget mich, BWV 150
Alles mit Gott und nichts ohn’ ihn, BWV 1127

Tickets: $40 Preferred Seating; $30 General Seating; $10 for Students

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Friday, October 30, 2015, at 11:59 pm, in the Church
JOHN ZORN: THE HERMETIC ORGAN

Presented in tandem with National Sawdust’s John Zorn Festival
John Zorn, organ

Modern music icon John Zorn performs his epic solo organ improvisation The Hermetic Organ on the largest pipe organ in New York City, the magnificent Aeolian-Skinner at St. Bart’s. Zorn released a recording of the 2012 performance in St. Paul’s Chapel at Columbia University, which Lou Reed praised as one of “culmination and conquest,” on his own Tzadik Records.

From that album’s notes: “Although organ was Zorn’s first instrument (he often credits Lon Chaney in the silent classic Phantom of the Opera as a primal influence), in 2011 Zorn surprised even his hardcore fans by initiating a new series of solo organ concerts in churches around the world. Premiering at the historic Christ Church in Philadelphia, the word on these concerts spread like wildfire and further events were set up in Belgium, France and of course in New York. … the music is breathtakingly beautiful, and distinguished by a spiritual mood that only a huge pipe organ can create. A perfect outlet for Zorn’s dramatic sense of color and contrast, we hear the composer’s mind at work in all its bizarre permutations – huge blocks of sound, chords, clusters, counterpoint, drones, ostinatos, lyrical melodies and more – often all at the same time!” www.tzadik.com

“The one word virtually everyone can agree on in any discussion of the work of composer John Zorn is ‘prolific,’ in the strictest sense of the definition,” says Thom Jurek in allmusic.com. “Though he didn’t begin making records until 1980, the recordings under his own name number well over 100, and the sheer number of works he has performed on, composed, or produced easily doubles that number. Though now an internationally renowned musician and the founder and owner of the wildly successful and equally prolific Tzadik imprint, Zorn is a cornerstone of New York’s fabled and influential downtown scene. In addition, he has played with musicians of every stripe. He is … a quintessential mirror of 21st century culture.”

WATCH: John Zorn’s talks about his approach to The Hermetic Organ on YouTube.
WATCH: A video about the St. Bart’s organ on Vimeo.

Tickets: $35, $25, $15 for Students and Seniors

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Friday, November 20, 2015, at 7:30 pm, in the Church
JASON ROBERTS ACCOMPANIES THE WIND

Jason Roberts, organ

St. Bart’s Associate Director of Music and Organist Jason Roberts improvises organ accompaniment to one of the last great silent films, the romantic drama The Wind. This 1928 cinematic masterpiece by director Victor Sjöström stars the great Lillian Gish, who was an active member of St. Bart’s and who is interred in the church’s memorial chapel.

The Wind was the last silent film headlined by Lillian Gish, one of the silent screen’s greatest stars. Based on a novel by Dorothy Scarborough, it tells the story of a young Virginia woman who moves west to Texas and is almost driven mad by physical hardship, spiritual repression, and a howling wind.

Last season, Jason Roberts improvised the organ accompaniment for Steamboat Bill, Jr., at St. Bart’s. A sought-after recitalist, Jason was chosen to play at last summer’s Regional Convention of the American Guild of Organists in Hartford, CT. An avid improviser, he won first prize at the AGO National Competition in Organ Improvisation in 2008, and was a finalist in improvisation at the St. Alban’s International Organ Competition in 2011.

WATCH: A video about the St. Bart’s organ on Vimeo.

Tickets: $20, $10 for Students and Seniors

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Tickets may be purchased online at www.mmpaf.org, by phone by calling 212-378-0248, or in person at St. Bart’s in Midtown Manhattan, 325 Park Avenue at 51st Street. Great Music at St. Bart’s is produced by the Mid-Manhattan Performing Arts Foundation, an independent 501(c)(3) corporation established to cultivate, promote, sponsor and develop the understanding and love of the performing arts as presented at St. Bartholomew’s Church, a treasured masterpiece of architecture on the east side of Manhattan’s midtown. The corporation sponsors performances of music, dance, drama, and other performing arts as well as the exhibition of works in the film and fine arts genres.

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